Deanna Borland-Sentinella is now a Dr! Not much good for diagnosing ailments, but can don a clown nose and be a clown Dr for you! Check out Deanna’s PhD entitled Embodied Futures: weaving Futures Thinking, Applied Theatre and Community Development in Creative and Participatory Embodied Practice here.
As part of COVID lockdown D:create’s Deanna collaborated on a video essay for the Journal of Embodiment. This is now published:
Rufo, R, Ben-David, A, Cary, CA, Borland-Sentinella, D, Phillips, LG, Owen, A, Fari, NS and AmberBeckyCreative. 2020. Embodiment and Social Distancing: Practices. Journal of Embodied Research, 3(2): 3 (27:50). DOI: https://doi.org/10.16995/jer.
D:create’s artistic director, Deanna was featured in the INFORM publication by Aus Dance Queensland – see pages 38-39.
Deanna Borland-Sentinella presented on their work in Embodied Futures at the 9th International Drama in Research Education Institute (IDIERI) conference in Auckland, NZ in July 2018.
The full conference program is available here.
Had the opportunity to speak about the power of Applied Theatre work to be used as community owned process for change at the International Social Norms and Behaviour Change Communication Summit in Bali #SBCCsummit
D:create is interested in promoting development work that starts by listening to the desires of communities and using creative means to inspire, to work in partnership with people to assist them to articulate their vision and share their stories.
Deanna was pleased to present on a panel about peacebuilding and activism at the Symposium on Creative research and development in Asia-Pacific at QUT, Brisbane.
An honour to be part of such an amazing program 🙂
Presented the activity created by D:create of Embodied Futures Triangle in Bundaberg at the Community Development Qld Conference.
Partnered with BaFuturu to host two series of Embodied Futures workshops in Dili, with a later follow up session at TERTIL.
Deanna of D:create was invited to co-create a new unit for the Masters of Community Development at the University of Queensland about adding the cultural and creative factor to practice. Teaching on this unit was such a delight, working with students who’d come to study in the course from South America, China, Philppines, Sudan, USA and Australia. Sharing stories of how practice works around the world was so rich. Working with Jason McLeod to lead the unit was also a fantastic experience of learning more about the work of peacebuilding in West Papua.
Delighted to be in the program twice: sharing a workshop on Embodied Futures and a presentation on how Applied Theatre creates a fertile functioning environment for enabling Nussbaum’s (2011) Human Capabilities at the International Applied Theatre Symposium in Auckland!